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Think Canadian literature and chances are Booker Prize-winning author Margaret Atwood comes to mind. The ���߲ݴ�ý alumna and towering Canadian literary figure gained worldwide recognition in 1985 with the publication of The Handmaid’s Tale.

Yet, a new exhibition at the U of T’s Thomas Fisher Rare Book Library&�Բ�����;– &�Բ�����;– reveals that CanLit is more than just its most famous writers. Curated by archivist Natalya Rattan and librarian John Shoesmith, the exhibit is on until May 1 and explores a cross-section of the CanLit scene, drawing from the library’s archival collections from pre-Confederation up to today.

The exhibition presents the life cycle of a work&�Բ�����;– from progress to publication&�Բ�����;– and highlights the community that has given shape to CanLit, a rich network of authors, editors, publishers, illustrators, publicists, agents, booksellers and donors. Rather than exhibiting a deep dive of the Fisher’s considerable CanLit archives, Rattan and Shoesmith chose to display a few strengths while seeking to uncover new insights within the journals, letters and notebooks of the community.

In the process, several gems emerged. 

“We discovered so many unique items and knowledge within the collections themselves,” Rattan says.

One example is the collaboration between artist Alan Stein and poet P.K. Page for her “How to Write a Poem”in the book The Golden Lilies: Eight New Glosas, which was produced in an edition of only 50 copies. The sketches, charcoal drawing and wood engraving for the ultimate image which accompanies the poem are part of the exhibit.

The exhibition also features personal items from CanLit icons, including a surprising letter by Lucy Maud Montgomery, the author of the Anne of Green Gables novels, claiming she has grown tired of Anne. In another letter, Book of Negroes author Lawrence Hill writes to his father, making a plea to get a kitten. As well, there is correspondence between the popular fiction author Arthur Hailey and renowned novelist Robertson Davies, in which Davies reassures Hailey of his legitimacy as a writer with an enormous international readership. Materials on CanLit luminaries like Susanna Moodie and Leonard Cohen are also on display.

Still, what would an exhibit on CanLit be without Atwood? Fans of The Handmaid’s Tale and the television series based upon it have a rare chance to see for themselves in person the first handwritten draft of the dystopian novel, as well as other materials that reveal the creative and commercial processes of Atwood’s work, including early test shots of actor Elisabeth Moss in costume for the television production.